Practically all genders and tastes are celebrated in a collection spanning decades, up to some brand-new releases.
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As of this August, both are available exclusively on PinkLabelTV, either streaming on-demand or with a PinkLabelTV PLUS subscription.įounded in 2013 by queer feminist producer and director Shine Louise Houston, the PinkLabel platform is a treasure trove of indie adult entertainment, with diverse titles grouped into several appealing channels. Two of them, Passing Strangers and Forbidden Letters, represent the plot-driven gay male erotica Bressan is better known for, and are the latest of his films to be restored by the Bressan Project. Bressan, Jr., including his landmark 1978 documentary Gay USA, chronicling the LGBTQ rights movement, and the wrenching 1985 drama Buddies, the first feature film to tackle the AIDS crisis.īressan himself succumbed to complications related to AIDS in 1987, following a prolific period in which the native New Yorker directed ten films in ten years. For several years, Olson and the Bressan Project have worked to restore the films of pioneering gay filmmaker Arthur J. The journey down the virtual video aisles of streaming platform PinkLabelTV began with a message from Jenni Olson, filmmaker, film historian, and co-director of the Bressan Project. I masked and distanced, marched and protested, hiked through a forest and laid on a beach. I mourned a death in the family, along with the deaths of many I didn’t know. I also worked from home, at seemingly all hours, and tried to keep up with the world’s deluge of conflict and disruption. I didn’t just watch porn all summer, of course, but I watched more porn than usual.
Perhaps there are those who’d decline or scoff at the opportunity. All these issues are placed against the backdrop of the guys trying to get tickets for the all-day boat cruise, seen as the party of the season, and at which all their dreams – at least in their dreams – will come true.Wakefield Poole’s “Boys in the Sand” - Vintage Gay Adult FilmsĪt some point during the quarantine, a well-curated adult entertainment website approached me, offering access to peruse their voluminous catalog. And Simon may not see that Lucy really does like him despite his singular focus on Carli. Neil treats Lisa like any other female with who he wants to have non-cheating “sex”. Jay is ashamed to be seen with self-assured Jane, because she is overweight. Will the virgin, who generally makes Alison laugh, has no chance with her as she is far out of his league, and as she is already in a serious relationship with a Greek waiter named Nicos. What starts off as a disastrous vacation has the potential to pick up when they meet fellow Brits Alison, Lucy, Jane and Lisa, who pair up with Will, Simon, Jay and Neil respectively, and with who they hang, out of circumstance, for much of their time in Malia. And Simon still pines for Carli, getting her off his mind being more difficult when he learns why Neil chose Malia.
Will wants to add a bit of culture into the vacation. Neil has to decide what constitutes not cheating on his girlfriend, Nicole.
Jay, with inheritance money in hand, believes he can have the pick of any girl he wants.
Neil makes the decision for them to go to Malia on the isle of Crete, a popular summer tourist destination for many a Brit. To get Simon’s singularly focused mind off Carli, his three best mates decide to take him on vacation for two weeks to get some sun, sand and girls before they move onto the next chapter of their lives in the fall. Largely because they will be going away to different schools in the fall, Carli breaks up with him. Simon has finally been able to get Carli D’Amato, who he has been in love with since they were children, to be his girlfriend. Best friends Will McKenzie, Simon Cooper, Jay Cartwright and Neil Sutherland – who are not among the social outcasts, but also not cool enough to hang out with the cool kids who they aspire to be – have just graduated from their suburban London high school.